Entertainment

Quantum Is Calling

Hollywood celebrities are, in many important ways, different from the rest of us. But we are united by one crucial similarity: we are all fascinated by quantum mechanics.

This was demonstrated to great effect last year, when Paul Rudd and some of his friends starred with Stephen Hawking in the video Anyone Can Quantum, a very funny vignette put together by Spiros Michalakis and others at Caltech’s Institute for Quantum Information and Matter (and directed by Alex Winter, who was Bill in Bill & Ted’s Excellent Adventure). You might remember Spiros from our adventures emerging space from quantum mechanics, but when he’s not working as a mathematical physicist he’s brought incredible energy to Caltech’s outreach programs.

Now the team is back again with a new video, this one titled Quantum is Calling. This one stars the amazing Zoe Saldana, with an appearance by John Cho and the voices of Simon Pegg and Keanu Reeves, and of course Stephen Hawking once again. (One thing about Caltech: we do not mess around with our celebrity cameos.)

Stephen Hawking + Zoe Saldana: Quantum is Calling ft. Keanu Reeves, Simon Pegg, John Cho, Paul Rudd

If you’re interested in the behind-the-scenes story, Zoe and Spiros and others give it to you here:

Behind the Scenes: Stephen Hawking + Zoe Saldana: Quantum is Calling

If on the other hand you want all the quantum-mechanical jokes explained, that’s where I come in:

The Science Behind Quantum Is Calling

Jokes should never be explained, of course. But quantum mechanics always should be, so this time we made an exception.

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Entropic Time

A temporary break from book-related blogging to bring you this delightful video from A Capella Science, in which Tim Blais sings about entropy while apparently violating one of my favorite laws of physics. I don’t even want to think about how much work this was to put together.

Entropic Time (Backwards Billy Joel Parody) | A Capella Science

Tim was gracious enough to tip his hat to a lecture of mine as partial inspiration for the video. And now that I think about it, entropy and the arrow of time play crucial roles in The Big Picture. So this is a book-related blog post after all! Had you fooled.

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Einstein’s Girl

One of the joys of living in LA is being surrounded by talented and creative people of all stripes, both inside and outside the world of science. Recently, for example, my friend Gia Mora helped me redesign my main website. This is a long-overdue upgrade; the site has existed in one form or another since 1996, and has been hacked together in html by me. Remarkably, things have changed over the last twenty years, and what sufficed in the waning years of the twentieth century had become unwieldy and unable to cope with the challenges of modern webbery. Now I have a working site that should be ready, for example, for the publication of The Big Picture.

Einsteins_logo But all of that is just an excuse for mentioning that web design is not Gia’s primary calling — it’s acting and singing, often with a bit of scientific flair. For anyone in the LA area, I encourage you to check out her show Einstein’s Girl, appearing at the Malibu Playhouse on Saturday Feb. 27. I’ve seen the show, and it’s great, plus I’m told there will be highly topical gravitational-wave jokes added in for just this occasion.

Gia’s singing about physics recently took center stage at Caltech, for the Institute of Quantum Information and Matter’s One Entangled Evening event. Besides the famous Rudd/Hawking quantum chess video, and maybe a few science talks, the highlight of the program was John Preskill, resplendent in black tie, joining Gia to sining a duet about quantum entanglement. John is not technically a professional singer like Gia is, but he did write the lyrics, and I can testify that he’s very good at quantum mechanics. Hats off to both the performers.

Musical Performance - One Entangled Evening

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Infinite Monkey Cage

The Infinite Monkey Cage is a British science/entertainment show put on by the dynamic duo of physicist Brian Cox and comedian Robin Ince. It exists as a radio program, a podcast, and an occasional live show. There are laughs, a bit of education, and some guests for the hosts to spar with. The popular-science ecosystem is a lot different in the UK than it is here in the US; scientists and science communicators can generally have a much higher profile, and a show like this can really take off.

So it was a great honor for me to appear as one of the guests when the show breezed through LA back in March. It was a terrific event, as you might guess from the other guests: comedian Joe Rogan, TV writer David X. Cohen, and one Eric Idle, who used to play in the Rutles. And now selected bits of the program can be listened to at home, courtesy of this handy podcast link, or directly on iTunes.

infinitemonkeystage

Be sure to check out the other stops on the IMC tour of the US, which included visits to NYC, Chicago, and San Francisco, featuring many friends-of-the-blog along the way.

These guys, of course, are heavy hitters, so you never know who is going to show up at one of these things. Their relationship with Eric Idle goes back quite a ways, and he actually composed and performed a theme song for the show (below). Naturally, since he was on stage in LA, they asked him to do a live version, which was a big hit. And there in the band, performing on ukulele for just that one song, was Jeff Lynne, of the Electric Light Orchestra. Maybe a bit under-utilized in this context, but why not get the best when you can?

Eric Idle performs new theme song for The Infinite Monkey Cage

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The Science of Interstellar

The intersection — maybe the union! — of science and sci-fi geekdom is overcome with excitement about the upcoming movie Interstellar, which opens November 7. It’s a collaboration between director Christopher Nolan and physicist Kip Thorne, both heroes within their respective communities. I haven’t seen it yet myself, nor do I know any secret scoop, but there’s good reason to believe that this film will have some of the most realistic physics of any recent blockbuster we’ve seen. If it’s a success, perhaps other filmmakers will take the hint?

Kip, who is my colleague at Caltech (and a former guest-blogger), got into the science-fiction game quite a while back. He helped Carl Sagan with some science advice for his book Contact, later turned into a movie starring Jodie Foster. In particular, Sagan wanted to have some way for his characters to traverse great distances at speeds faster than light, by taking a shortcut through spacetime. Kip recognized that a wormhole was what was called for, but also realized that any form of faster-than-light travel had the possibility of leading to travel backwards in time. Thus was the entire field of wormhole time travel born.

As good as the movie version of Contact was, it still strayed from Sagan’s original vision, as his own complaints show. (“Ellie disgracefully waffles in the face of lightweight theological objections to rationalism…”) Making a big-budget Hollywood film is necessarily a highly collaborative endeavor, and generally turns into a long series of forced compromises. Kip has long been friends with Lynda Obst, an executive producer on Contact, and for years they batted around ideas for a movie that would really get the science right.

Long story short, Lynda and Kip teamed with screenwriter Jonathan Nolan (brother of Christopher), who wrote a draft of a screenplay, and Christopher eventually agreed to direct. I know that Kip has been very closely involved with the script as the film has developed, and he’s done his darnedest to make sure the science is right, or at least plausible. (We don’t actually whether wormholes are allowed by the laws of physics, but we don’t know that they’re not allowed.) But it’s a long journey, and making the best movie possible is the primary goal. Meanwhile, Adam Rogers at Wired has an in-depth look at the science behind the movie, including the (unsurprising, in retrospect) discovery that the super-accurate visualization software available to the Hollywood special-effects team enable the physicists to see things they hadn’t anticipated. Kip predicts that at least a couple of technical papers will come out of their work.

And that’s not all! Kip has a book coming out on the science behind the movie, which I’m sure will be fantastic. And there is also a documentary on “The Science of Interstellar” that will be shown on TV, in which I play a tiny part. Here is the broadcast schedule for that, as I understand it:

SCIENCE
Wednesday, October 29, at 10pm PDT/9c

AHC (American Heroes Channel)
Sunday, November, 2 at 4pm PST/3c (with a repeat on Monday, November 3 at 4am PST/3c)

DISCOVERY
Thursday, November 6, at 11pm PST/10c

Of course, all the accurate science in the world doesn’t help if you’re not telling an interesting story. But with such talented people working together, I think some optimism is justified. Let’s show the world that science and cinema are partners, not antagonists.

Interstellar Movie - Official Trailer 3

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Science in the (Classic) Movies

Here’s something to help you get 2014 started off right: for all of January, Turner Classic Movies is turning its Friday Night Spotlight on “Science in the Movies.” Every Friday night they’ll be playing no fewer than four classic films (we interpret “classic” a bit loosely in some cases) with some kind of scientific theme. I happen to know this because I’ll be the one introducing each film. Not live, of course; I already recorded all the introductions back in October. I don’t think my introductions contain any especially insightful nuggets of scientific wisdom or cinematic insight, but it was a fun departure from my usual thing.

And the movies are quite a bit of fun, too. The full schedule is here. (That’s the entire TCM schedule for the month; skip to Friday nights to find the science movies.) There are quite a few undisputed classics in there, from The Bride of Frankenstein to Solaris. And only one or two real stinkers (It Happens Every Spring was … not so good.)

I managed to watch or re-watch (almost) all of the films, and discovered a few gems I hadn’t heard of. The Man in the White Suit, starring a young Alec Guiness, was a lot of fun. And the biographical films, like Pasteur, were more enjoyable than I expected; back in the day Hollywood really knew how to make a good biopic.

guinness-mackendrick-white-suit

But probably my favorite discovery was For All Mankind, a documentary I had never known about. It’s about the Apollo program, and is constructed exclusively from actual NASA footage and interviews with the astronauts. It wasn’t that long ago, but it’s easy to forget what it was like to never have actually visited the Moon. Hearing the astronaut’s voices, and seeing some rare and thrilling footage of the real thing in action, really brings home the drama and excitement of the time. It’s showing this Friday, catch it if you can.

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The Spark in the Park

A few years ago, not long after we moved to LA, Jennifer and I got a call from some of the writers on the TV series BONES. There’s already a science component to the show, which features brainy forensic anthropologist Brennan (Emily Deschanel) and her team of lab mates working with fiery FBI agent Booth (David Boreanaz) to solve crimes, most of which involve skeletons and physical evidence in some crucial way. This time they needed some physics input, as they wanted the murderer to be a researcher who used their physics expertise to carry out the crime, and were looking for unusual but realistic ideas. We were able to provide some crucial sociological advice (no, professional research scientists probably wouldn’t meet at a Mensa conference) and consulted with experimentalist friends who would know how to use radioactive substances in potentially lethal ways. I won’t say who, exactly, but when the episode aired they ended up calling the research institute the Collar Lab.

booth-and-bones

Apparently physicists are a suspiciously violent bunch, because tonight’s episode features another scientist suspect, this time played by Richard Schiff of West Wing fame. I got a chance to consult once again, and this time contributed something a bit more tangible to the set: a collection of blackboards in the physicist’s office. (Which, as in all Hollywood conceptions, is a lot more spacious and ornate than any real physicist’s office I’ve ever seen.) You can see the actual work tonight (8pm ET/PT on Fox), but here’s one that I made up that they didn’t end up using.

bones-board

It does look like our professor is a theoretical cosmologist of some sort, doesn’t it? The equations here will be familiar to anyone who has carefully read “Dynamical Compactification from de Sitter Space.” The boards that actually will appear on the show are taken mostly from “Attractor Solutions in Scalar-Field Cosmology” and “A Consistent Effective Theory of Long-Wavelength Cosmological Perturbations.” Hey, if I’m going to write down a bunch of equations, they might as well be my equations, right?

But I actually got to be a little more than just a technical scribe. (Although that’s not an unimportant role — not only are the equations themselves gibberish to non-experts, it’s difficult for someone who isn’t familiar with the notation to even accurately transcribe the individual symbols.) No spoilers, but the equation-laden blackboards actually play a prominent role in a scene that appears late in the episode, so I was able to provide an infinitesimally tiny amount of creative input. And the scene itself (the overall conception of which belongs to writers Emily Silver and Stephen Nathan) packs quite an emotional wallop, something not typically associated with a series of equations. I haven’t seen the finished episode yet, but it was a great experience to actually be present on set during filming and watch the sausage being made.

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Poker Is a Game of Skill

Via the Seriously, Science? blog comes what looks like a pretty bad paper:

Is poker a game of skill or chance? A quasi-experimental study
Gerhard Meyer, Marc von Meduna, Tim Brosowski, Tobias Hayer

Due to intensive marketing and the rapid growth of online gambling, poker currently enjoys great popularity among large sections of the population. Although poker is legally a game of chance in most countries, some (particularly operators of private poker web sites) argue that it should be regarded as a game of skill or sport because the outcome of the game primarily depends on individual aptitude and skill. The available findings indicate that skill plays a meaningful role; however, serious methodological weaknesses and the absence of reliable information regarding the relative importance of chance and skill considerably limit the validity of extant research. Adopting a quasi-experimental approach, the present study examined the extent to which the influence of poker playing skill was more important than card distribution. Three average players and three experts sat down at a six-player table and played 60 computer-based hands of the poker variant “Texas Hold’em” for money. In each hand, one of the average players and one expert received (a) better-than-average cards (winner’s box), (b) average cards (neutral box) and (c) worse-than-average cards (loser’s box). The standardized manipulation of the card distribution controlled the factor of chance to determine differences in performance between the average and expert groups. Overall, 150 individuals participated in a “fixed-limit” game variant, and 150 individuals participated in a “no-limit” game variant. ANOVA results showed that experts did not outperform average players in terms of final cash balance…

(It’s a long abstract, I didn’t copy the whole thing.) The question “Is poker a game of skill or chance?” is a very important one, not least for legal reasons, as governments decide how to regulate the activity. However, while it’s an important question, it’s not actually an interesting one, since the answer is completely obvious: while chance is obviously an element, poker is a game of skill.

Note that chance is an element in many acknowledged games of skill, including things like baseball and basketball. (You’ve heard of “batting averages,” right?) But nobody worries about whether baseball is a game of skill, because there are obvious skill-based factors involved, like strength and hand-eye coordination. So let’s confine our attention to “decision games,” where all you do is sit down and make decisions about one thing or another. This includes games without a probabilistic component, like chess or go, but here we’re interested in games in which chance definitely enters, like poker or blackjack or Monopoly. Call these “probabilistic decision games.” (Presumably there is some accepted terminology for all these things, but I’m just making these terms up.)

So, when does a probabilistic decision game qualify as a “game of skill”? I suggest it does when the following criteria are met:

  1. There are different possible strategies a player could choose.
  2. Some strategies do better than others.
  3. The ideal “dominant strategy” is not known.

It seems perfectly obvious to me that any game fitting these criteria necessarily involves an element of skill — what’s the best strategy to use? It’s also obvious that poker certainly qualifies, as would Monopoly. Games like blackjack or craps do not, since the best possible strategy (or “least bad,” since these games are definite losers in the long run) is known. Among players using that strategy, there’s no more room for skill (outside card-counting or other forms of cheating.)

Nevertheless, people continue to act like this is an interesting question. In the case of this new study, the methodology is pretty crappy, as dissected here. Most obviously, the sample size is laughably small. Each player played only sixty hands; that’s about two hours at a cardroom table, or maybe fifteen minutes or less at a fast online site. And any poker player knows that the variance in the game is quite large, even for the best players; true skill doesn’t show up until a much longer run than that.

More subtly, but worse, the game that was studied wasn’t really poker. If I’m understanding the paper correctly, the cards weren’t dealt randomly, but with pre-determined better-than-average/average/worse-than-average hands. This makes it easy to compare results from different occurrences of the experiment, but it’s not real poker! Crucially, it seems like the players didn’t know about this fake dealing. But one of the crucial elements of skill in poker is understanding the possible distribution of beginning hands. Another element is getting to know your opponents over time, which this experiment doesn’t seem to have allowed for.

On Black Friday in 2011, government officials swept in and locked the accounts of players (including me) on online sites PokerStars and Full Tilt. Part of the reason was alleged corruption on the part of the owners of the sites, but part was because (under certain interpretations of the law) it’s illegal to play poker online in the US. Hopefully someday we’ll grow up and allow adults to place wagers with other adults in the privacy of their own computers.

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Your Attention Spotlight and the Art of Picking Pockets

Apollo Robbins is a master pickpocket, but he uses his skills (as far as I know) in the service of entertainment rather than crime. Probably more lucrative, anyway.

In this video he shows Adam Green how it’s done. As Green says, it’s often a disappointment to reveal the techniques behind magic tricks, but in this case you come away more impressed by the performance than by the result. All magicians are amateur (but highly skilled) neuroscientists.

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